Ensemble
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Home Is Where… is finally real! After two years of collecting interviews, planning, networking, thinking, dreaming, applying, struggling to articulate what exactly this project might become, and finding the right team to create it, Hyphenated became a 9-strong ensemble with a 20-minute first stab at a brand new piece of theatre. Huge thanks to Camden…
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Every January for the last eleven years, Improbable Theatre has invited theatre makers to an open space event called Devoted & Disgruntled. Each year, they ask, “What are we going to do about theatre and the performing arts?” and 300 people gather to work on that question. Since my first London January, in 2014, I…
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What do you get when you combine verbatim interviews, improvisation, movement, original music, and a group of 9 new collaborators with rich cross-culture experiences? I don’t quite know yet – we’re still making it. It’s going to be on stage in the “Whose London Is It Anyway?” festival at Camden People’s Theatre in January. (Early…
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Rift Zone at New Diorama Theatre. Night Light Theatre‘s reworking of Icelandic myth was musical, harmonic, highly visual, and touching. The story centres on a brother and sister growing up, but seems to span centuries and mythologies. Along with a simple but effective scenic design, bare lightbulbs create an atmospheric landscape, illuminating faces in caverns, swinging…
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Thebes at New Diorama Theatre. I saw a preview performance of The Faction’s new adaptation of the Oedipus cycle, which attempts to cram three plays into one evening, and ends up doing such a cursory treatment of all the interlinking stories that it tells none of them satisfactorily. The adaptation can’t decide if it’s ancient…
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November was a very good month for feminist theatregoing. And agitating about the representation of women in our field, with the GAP Salon (Gender and Performance) which I cofounded with Susan Crothers and Kate Baiden in October. More on that in another post, but if you can’t wait, check out the GAP website and @GAPsalon…