diversity
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This article was originally published on HowlRound on 5 March 2018. Can vision be collaborative? How can I balance inclusivity, safety, quality, and rigor? Why do I keep trying to make collaborative work, when it seems so much slower and more difficult than doing it myself? I’ve been asking myself these questions for the last ten years…
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Every year for the last 13 years, Improbable has asked the question, ‘What are we going to do about theatre and the performing arts?’ Their invitation brings hundreds of theatre makers together at an event called Devoted & Disgruntled, and provides the liberating and inclusive format of Open Space to enable necessary conversations to happen.…
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It’s been a couple of weeks since our final devising session of the summer, and we’ve said goodbye for now to our wonderful and generous friends at Kings Place Music Foundation, who welcomed us for six weeks of testing out new performance techniques, developing characters, and knitting together our creative team. I detailed our progress…
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It’s so great to get back into the devising process with our wonderful TCK team! After our scratch at Camden People’s Theatre in January, we’re now working towards the first full-length performance of Home Is Where… which we’ll present at Rich Mix on 2nd September. I’m so delighted to be working with some new collaborators: producer…
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What do you get when you combine verbatim interviews, improvisation, movement, original music, and a group of 9 new collaborators with rich cross-culture experiences? I don’t quite know yet – we’re still making it. It’s going to be on stage in the “Whose London Is It Anyway?” festival at Camden People’s Theatre in January. (Early…
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At D&D 9 in January 2014, an annual open space conference of theatremakers, I called a session on Third Culture Kids (TCKs) and verbatim theatre, hoping to find some candidates for interviews and get started making a piece. More than a dozen people responded to my invitation, others who had grown up in a mix…