collaboration
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I’ve been telling people lately: I didn’t mean to write the book, music, and lyrics for Ukulele Days all by myself, and I hope I’ll never do it again. Don’t get me wrong, I’m really proud of Ukulele Days, I’ve loved working on it, and I’m so excited to take the next steps with the…
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This article was originally published on HowlRound on 5 March 2018. Can vision be collaborative? How can I balance inclusivity, safety, quality, and rigor? Why do I keep trying to make collaborative work, when it seems so much slower and more difficult than doing it myself? I’ve been asking myself these questions for the last ten years…
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Collaboration is brilliant. And necessary. Even on a solo show. Maybe especially on a solo show. Yesterday, four intelligent and generous artists listened to me read the new script of The Helen Project for one hour and 22 minutes (yikes/oops/thank you) and then shared their thoughts, questions, dramaturgical insights, and encouragement. I went home excited…
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In 2012, I went to Directors Lab West, an 8-day intensive for directors in Pasadena, California. I took a week off from my office job to go, and saved money on the trip by sharing a hotel room with another director. I didn’t really know what to expect, but I took a leap of faith…
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Home Is Where… is going places! Last month, Guleraana and I presented our project at the Families in Global Transition conference in the Netherlands, and we’ve just returned from New York, where we connected with other verbatim theatre makers at the NYU Forum on Ethnodrama. I was so excited to meet this community and see…
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What a milestone! Home Is Where… finally had its first full-length performance on 2nd September at Rich Mix, a fantastically supportive and welcoming multi-arts venue in East London. Huge thanks are due to the wonderful team there, and of course to the extremely dedicated and talented cast and creative team of Home Is Where…: writer Guleraana…