Megan Cohen
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Collaboration is brilliant. And necessary. Even on a solo show. Maybe especially on a solo show. Yesterday, four intelligent and generous artists listened to me read the new script of The Helen Project for one hour and 22 minutes (yikes/oops/thank you) and then shared their thoughts, questions, dramaturgical insights, and encouragement. I went home excited…
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It’s been a while since I last gushed about the sublime insanity of collaborating with Megan Cohen on The Helen Project. We’ve been pretty busy gearing up for our developmental workshop at DIVAfest this May. In the last couple of months, we’ve revised our notion of who/when our five Helens are, tried out a few…
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Megan and I are getting pretty excited about our upcoming workshop of The Helen Project at DIVAfest this May! One of the many things on our to-do list – along with assembling our creative team, budgeting, brainstorming on the form and functionality of the “online interactive CyberJourney” and you know, continuing to write, edit, and…
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2012 has been a year of fragmentation, as I rearranged my life with a new job and new theatrical communities. I’ve realized, too, that my artistic work has been in fragments lately: Since February, Megan Cohen and I have been putting together our “Build Your Own Helen Play Kit,” made of fragments of identity, narrative,…
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Megan and I are pulling together found text for the incarnation of Helen we’ve come to call “The Face,” who speaks only in language handed down to her through the ages from epic poetry to contemporary academia. This poem is a contender for one of these found text Odes. Helen of Troy by Sara Teasdale,…
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Megan and I have been diving deep into researching the iconic Helen of Troy, the figure we immediately think of when we hear that famous line, “the face that launched a thousand ships.” We’ve been reading Homer, Marlowe, Goethe, Poe, Tennyson, and yes, Wikipedia. We’ve also discovered some wonderful modern poetry by Sara Teasdale and…