making stuff up
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2012 has been a year of fragmentation, as I rearranged my life with a new job and new theatrical communities. I’ve realized, too, that my artistic work has been in fragments lately: Since February, Megan Cohen and I have been putting together our “Build Your Own Helen Play Kit,” made of fragments of identity, narrative,…
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For the last five weeks, I’ve been working with The Collaboratory to devise a new physical theatre piece based on Federico García Lorca’s poem-play, Yerma. We’ve been experimenting as much with our process as with the piece itself, reinventing how we work together virtually every time we walk into the rehearsal room. The Collaboratory (Emlyn…
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I’ve been doing some image research, looking at neo-classical representations of Helen, and today I came across this: “According to the Roman author Pliny, the ancient Greek painter Zeuxis could not find a woman beautiful enough to represent Helen of Troy, the archetype of the feminine beauty, so he picked the best features of five virgins to compose…
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I’m back from Directors Lab West! Helen of Troy is back! My days of hyper-dreaming with the brilliant Megan Cohen are back! Every Saturday in June, Megan and I are back in our strange, surreal Helen-land, in which all things are possible and we’re going to take over the world. No kidding, it’s true. I…
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Looking back on my Day 5 post on endurance, I have to laugh. Back then, I thought I was pretty tired. Ah, youth. Day 7 began with a bang; Indy Convergence visited us to give a crash course in their process of bringing artists together to explore and share ideas. They run a 2-week residency…
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After our break-neck day on Wednesday, I was so glad to leave my car in one spot from 9:45AM to after midnight. There was a lot less running around in the Thursday Lab sessions, too: we began the day with a round table discussion; saw some site-specific theater in parked cars after lunch (The Car…
AMY CLARE TASKER 