Helen of Troy
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Every January for the last eleven years, Improbable Theatre has invited theatre makers to an open space event called Devoted & Disgruntled. Each year, they ask, “What are we going to do about theatre and the performing arts?” and 300 people gather to work on that question. Since my first London January, in 2014, I…
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The GAP Salon was particularly busy this month! What a blast we had at the Southbank Centre’s Women of the World Festival and the Etcetera Theatre’s first annual Womens’ Week! WOW Party at the Southbank Centre. GAP Salon partnered with Female Arts and the So and So Arts Club to throw a “WOW Party” with…
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It’s been a while since I last gushed about the sublime insanity of collaborating with Megan Cohen on The Helen Project. We’ve been pretty busy gearing up for our developmental workshop at DIVAfest this May. In the last couple of months, we’ve revised our notion of who/when our five Helens are, tried out a few…
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Megan and I are getting pretty excited about our upcoming workshop of The Helen Project at DIVAfest this May! One of the many things on our to-do list – along with assembling our creative team, budgeting, brainstorming on the form and functionality of the “online interactive CyberJourney” and you know, continuing to write, edit, and…
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2012 has been a year of fragmentation, as I rearranged my life with a new job and new theatrical communities. I’ve realized, too, that my artistic work has been in fragments lately: Since February, Megan Cohen and I have been putting together our “Build Your Own Helen Play Kit,” made of fragments of identity, narrative,…
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Megan and I are pulling together found text for the incarnation of Helen we’ve come to call “The Face,” who speaks only in language handed down to her through the ages from epic poetry to contemporary academia. This poem is a contender for one of these found text Odes. Helen of Troy by Sara Teasdale,…