England
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Thebes at New Diorama Theatre. I saw a preview performance of The Faction’s new adaptation of the Oedipus cycle, which attempts to cram three plays into one evening, and ends up doing such a cursory treatment of all the interlinking stories that it tells none of them satisfactorily. The adaptation can’t decide if it’s ancient…
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December can be a pretty quiet month for theatre going, if you’re not into seeing The Nutcracker or A Christmas Carol again. Luckily, London has plenty of alternatives for us humbugs. Still, between working on the lighting design for Feral Pigeons’ The Sisters: Return to the Isle of Queef and having a lovely visit with my…
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November was a very good month for feminist theatregoing. And agitating about the representation of women in our field, with the GAP Salon (Gender and Performance) which I cofounded with Susan Crothers and Kate Baiden in October. More on that in another post, but if you can’t wait, check out the GAP website and @GAPsalon…
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Despite directing a showcase of three short plays this month, I still managed to get to 12 other performances in September (6 of them in the same weekend!!). For more on the showcase I directed, She Writes: What’s Through the Door? check out the project page on my website, or the 17Percent site with links…
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Hey America, long time no see. How’ve you been these last two and a half months? I’m settling in to London life, figuring out where to buy basic things like coat hangers and granola, exploring the city, constantly going the wrong way when I get out of the tube, and seeing as much theatre as…
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My brain is broken. For the last two or three days, my mouth has repeatedly stopped in the middle of my sentences, like a wind-up toy that has run out of spring force. My notebook is about full, and I’m covered in bruises, so it must be time to go home. I’ll miss the intensity…